hellllll yeahhhhh.

Making Books (1947)

Making Books (1947)

can't go wrong with tracts

We provide tracts and booklets for witnessing.

Variorum of Classic Tracts and Pamphlets

"Pyramid of Capitalist System"


CHICK TRACT SATIRE

some marbling history and information

coptic inspiration

^Coptic bound marbled Somerset.
45 Section Coptic binding 6.2 x 16 x 5 c.m

more book inspiration

And so you want to be a fisherman...
By Susan Jaworski-Stranc
Newbury, Massachusetts: Apple Cider Press, 2000. Edition of 10.

Susan Jaworski-Stranc: "A family crisis was this book's genesis, which took place a few years ago between mother & son. The writing of the poem was a means of working out complex feelings and emotions surrounding a universal parental issue – letting go. The book form is a metaphor for the poem. Through the use of prickly metal edges, sharp hooks, the act of untangling the fish from the netting as well as the unfolding of fish assists the reader to relate to the milestone on an intuitive-cognizant level. This deeply felt experience was made concrete through the book arts to share with others."

Autumn Ahn- Gertrude's Hands: closed 1"x2"|open 2"x4"

Quercus
By Rebecca Goodale
Portland, Maine: Rebecca Goodale, 2009. One-of-a-Kind.

20.5 x 14 x 3" closed; 10.5 x 14 x 96" extended. Silkscreen printed oak leaves attached to a 13 cotton strings, which are in turn attached to the bottom and top of the maroon cloth-covered box in which the work is housed.

The Chestnut Oak (quercus prinus) is listed as endangered in Maine's official List of Endangered and Threatened Plants.

Lift the cotton loop attached to the lid's exterior and watch streams of leaves rise on 13 strings like flags on a ship's halyards. Quite obviously meant for display, the lid can be hung from the cotton loop so that the leaves flutter delicately in the wind. Fully extended this homage to the Chestnut Oak rises to 8 feet.

Beautiful books by Freya Diamond

Check out these Flag Books by Freya Diamond. I love the way she's incorporated the figures within the accordion, and how she's incorporated the use of the artists work. so so so good.


Emily Carr, A Body of Work
By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2010. Open edition, signed and numbered.
4.375 x 8.5"; six leaves. Opens to 20". Flag structure. Illustrated paper-covered boards with ribbon closure.


Georgia O'Keeffe
A Body of Work
By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2009. Open edition, signed and numbered.
4.375 x 8.5"; six leaves. Opens to 20". Flag structure. Marbled paper exterior with ribbon closure.
Freya Diamond: "I've dressed Georgia in her own artwork."


Frida Kahlo
A Body of Work
By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2003. Open edition, signed and numbered.
4.375 x 8.5"; six leaves. Opens to 20". Flag structure. Illustrated paper-covered boards with ribbon closure. Paper title label.



Matisse Odalisques
By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2007. Open edition.
4 x 5.75"; five leaves. Carousel structure with five openings, each three-layered. Illustrated paper-covered boards with ribbon closure. Diamond uses works like Odalisque with Magnolias and Odalisque sur fond rouge to form a theater in the round.
On the subject of odalisques Matisse with characteristic honesty said: "I do odalisques in order to do nudes."

marianne viero

minizinemakin,lotsaartsandcrafts,andwaytomanyprints.

In honor of recent work, a little inspiration to keep me going.

NEW BOOK! DECAPITRON BY SUMI INK CLUB

Chuck Close papermaking time lapse

6 hours of papermaking in 8 minutes. Stenciled handmade paper print of Roy. Pace Prints 2010.

B,I,N,G,OH!

Bingo sketchbook. via, handmade books.

Cutting Book Series with ED Rushca “Artists who make pieces, Artists who do books” (detail), 2008: Noriko Ambe

letterpress documentary