Showing posts with label fun. Show all posts
Showing posts with label fun. Show all posts

Monday, May 9, 2011

"I consider myself successful only
when I do something that resembles the lack of order I sense"
.- Robert Rauschenberg

Wednesday, April 20, 2011

Tuesday, April 19, 2011

NG Scans

A girl in a field of meadow phlox, Washington, D.C., 1960

A girl in a field of meadow phlox, Washington, D.C., 1960

Wednesday, March 16, 2011

Thursday, March 10, 2011

cross processing notes


into the light

By: Jim Causey

film notes (unrelated to photo)

Fuji Sensia 100 – Red
Fuji Sensia 200 – Green
Fuji Sensia 400 – Green

Fuji Provia 100 – Green
Fuji Provia 400 – Green

Fuji Velvia 50 – Green/Blue
Fuji Velvia 100 – Red

Agfa CT Precisa 100 – Green/Blue

Kodak Ektachrome 100 – No colour shift, increased contrast & saturation
Kodak Ektachrome EPT 160T – No colour shift, increased contrast & saturation

via, crossprocessing.

Pushing & Pulling Film:
you can read the full thread, or keep reading for my condensed version.

Pushing film involves deliberately underexposing your image, then asking your lab to push (over-develop) the film 1 or 2 stops to compensate. This results in higher contrast than you would get shooting and developing a film at its rated speed.

Pulling film involves deliberately overexposing your image, then asking your lab to pull (under-develop) the film 1 or 2 stops to compensate. This results in lower contrast than you would get shooting and developing a film at its rated speed.

Bear in mind that cross processing already increases contrast, so you may have to consider pulling the film to compensate. Here are a couple of real world examples:

  • Its sunny outside, and what you are shooting is very high contrast. You shoot 200 ISO film as if it were 100 ISO. You then drop your film off and ask the lab to cross process it, and to pull 1 stop. This results in your pictures having more normal contrast while still leaving room for colour casts.
  • You are shooting something indoors, and there is low contrast in your scene. You shoot your 400 ISO film as if it were 800 ISO. You subsequently drop your film off at the lab and ask them to cross process it, and to push 1 stop. This results in your pictures have higher contrast than they would have done normally.

Types of cross processing

  • E6-C41: taking slide (colour reversal) film, and processing it in colour negative chemicals. This is the most common type of cross processing. It usually results in increased contrast with strong colour casts.
  • C41-E6: taking colour negative film and developing in slide chemicals. This usually results in muted pastel colours with very little contrast. As a result you may want to ask your lab to push 2 or 3 stops to increase the contrast.
  • E6/C41-B&W: taking colour reversal or negative film and processing as black and white. This results in a black and white negative. As colour film is usually more expensive than B&W, you may want to only use this technique if you are out shooting colour and decide you'd rather have B&W.
via, holgacrossprocessingtechniques


some cross processed images:
- The film used was Fujifilm Sensia 400/cross processed.

*First of all, cross processing may overexpose your image by about one stop. Therefore, you need to account for this when shooting. If you’re shooting 100 ISO film, just set your camera setting to 200 ISO. This will allow less light in, taking care of the overexposure. It’s best if you run a roll normally, with no adjustments, to determine if you even need to worry about this.

The first roll I did was processed pretty much on target, without any ISO adjustments.

via, photogformula.


some more enjoyable links:

Ten Reasons to Love Cross Processed Film

Thursday, March 3, 2011

8 x 8 fine art photo, "Rope & Driftwood, The Bluffs, July 13, 2010" (Beachcombing series No.6)

Sunday, February 27, 2011

Thursday, February 17, 2011

Heaven Sent

http://i40.tinypic.com/1q4rjb.jpg

This is the most recent collection called "Heaven Sent" by designer Frances Wadsworth Jones.

Monday, December 27, 2010

Tuesday, December 21, 2010

d.i.y. ornaments!

photo-2

check out the instructions here --d.i.y. terrarium ornaments


also more fun d.i.y. projects can be found here! at the free people blog. good stuff i say!

Tuesday, November 30, 2010

Create Seed-Starting Pots From Newspapers


Instead of buying expensive peat pots to plant your seeds in, make these spiffy planting pots by rolling recycled newspaper around a glass or jar. The finished pots are sturdy and will break down quickly once they've been planted in the soil.

Monday, November 15, 2010

Beautiful books by Freya Diamond

Check out these Flag Books by Freya Diamond. I love the way she's incorporated the figures within the accordion, and how she's incorporated the use of the artists work. so so so good.

http://www.vampandtramp.com/finepress/d/freya-emily-carr-L.jpg
Emily Carr, A Body of Work
By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2010. Open edition, signed and numbered.

4.375 x 8.5"; six leaves. Opens to 20". Flag structure. Illustrated paper-covered boards with ribbon closure.


http://www.vampandtramp.com/finepress/d/freya-Okeefe-L.jpg
Georgia O'Keeffe
A Body of Work

By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2009. Open edition, signed and numbered.

4.375 x 8.5"; six leaves. Opens to 20". Flag structure. Marbled paper exterior with ribbon closure.

Freya Diamond: "I've dressed Georgia in her own artwork."


http://www.vampandtramp.com/finepress/d/freya-frida-L.jpg
Frida Kahlo
A Body of Work

By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2003. Open edition, signed and numbered.

4.375 x 8.5"; six leaves. Opens to 20". Flag structure. Illustrated paper-covered boards with ribbon closure. Paper title label.



http://www.vampandtramp.com/finepress/d/freya-matisse-L.jpg
Matisse Odalisques
By Freya Diamond
Sante Fe, New Mexico: Freya Diamond, 2007. Open edition.

4 x 5.75"; five leaves. Carousel structure with five openings, each three-layered. Illustrated paper-covered boards with ribbon closure.
Diamond uses works like Odalisque with Magnolias and Odalisque sur fond rouge to form a theater in the round.
On the subject of odalisques Matisse with characteristic honesty said: "I do odalisques in order to do nudes."

Friday, November 12, 2010

antique jacob's ladder


inspiration and reference for projects i've been working on.