
Marina Abramovic
little things for inspiration, and memory.
![[woodman006.jpg]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFGhlHTwgfx8GaFKKoev6XIews6TBHX5Y3vVPHqftIkWU5dNhSGqG0XZB9PBopzKoPjHwbjTCTgdHMrVGmY73K0M9LztWfY9_7nBLkC0yL0Rj06GWZgqF5jAlRLVwZGb9dI93vH_YmvkG2/s1600/woodman006.jpg)
Francesca Woodman, Self-deceit #1, Rome, 1977-1978. Gelatin silver estate print 25.4 x 20.3 cms, 10 x 8 inches.
Chantal Akerman, Mirror Still, 1971-2007, Mirror, 16 mm transfered to DVD
Joan Jonas kép, jonas a frieze-ben, az artpool-on (itt tükrös darabjairól Beke Lászlóval beszélget)
Beautiful works such as the Venus Chair are created with fibers suspended in tanks, slowly allowing the crystals to grow and form the object. Tokujin states that the forms emerge gradually overtime such as the goddess Venus herself gradually emerges from water.
By allowing the structure to evolve naturally, he creates what he calls "beauty born of coincidence."
Destiny, Moonlight, Unfinished are 2-dimensional works employing the growth of crystals, and how that growth is effected by the different music played during the growing process.
