
Marina Abramovic
little things for inspiration, and memory.
![[woodman006.jpg]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFGhlHTwgfx8GaFKKoev6XIews6TBHX5Y3vVPHqftIkWU5dNhSGqG0XZB9PBopzKoPjHwbjTCTgdHMrVGmY73K0M9LztWfY9_7nBLkC0yL0Rj06GWZgqF5jAlRLVwZGb9dI93vH_YmvkG2/s1600/woodman006.jpg)
Francesca Woodman, Self-deceit #1, Rome, 1977-1978. Gelatin silver estate print 25.4 x 20.3 cms, 10 x 8 inches.
Chantal Akerman, Mirror Still, 1971-2007, Mirror, 16 mm transfered to DVD
Joan Jonas kép, jonas a frieze-ben, az artpool-on (itt tükrös darabjairól Beke Lászlóval beszélget)
For example, take the studying of a rooster. “The idea was to push out all of the human inside and let the bird take its place. You may start by imitating, but imitation is not your final goal; when you believe you are thinking completely like a chicken you have succeeded.
The important thing with this is not the transformation into a chicken, but the transformation itself, the fact that you change. Only in this way you can bring the body back to its original state. It is not depiction or symbolization which is the foundation of butoh. It is the metamorphosis.”
-Harmen Sikkenga, from Butoh - Dance of Darkness 1994.Just happy to say that i will be taking 350 Billion Photos on beaches, in parks, in rooms, in cities, in countries, in forests, in streams, in rain, in sun, in wind, water and smoke.